【佳片有约】第二季·关键字Creative

2012年8月13日佳片有约影视工业评论23,848

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【佳片有约】第二季·关键字“Creative（创意）”，来源vimeo文章源自狐狸影视城-https://fox-studio.net/855.html

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本季10章，共十个文件夹，其中包含“截图，介绍文本，视频”三个文件。文章源自狐狸影视城-https://fox-studio.net/855.html

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NO.1 AIDES - GRAFFITI

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原片地址：http://vimeo.com/16161220文章源自狐狸影视城-https://fox-studio.net/855.html

英文介绍：Directed by Yoann Lemoine文章源自狐狸影视城-https://fox-studio.net/855.html

Agency : TBWA PARIS文章源自狐狸影视城-https://fox-studio.net/855.html

TV PRODUCER : Virginie Chalard文章源自狐狸影视城-https://fox-studio.net/855.html

Creative : Ingrid Varetz文章源自狐狸影视城-https://fox-studio.net/855.html

Producer : Jerome Denis / Wanda文章源自狐狸影视城-https://fox-studio.net/855.html

1st Assistant : Antoine Poulet文章源自狐狸影视城-https://fox-studio.net/855.html

Director of Photography : Nicolas Loir文章源自狐狸影视城-https://fox-studio.net/855.html

Line Producer : Sanae Belkouri文章源自狐狸影视城-https://fox-studio.net/855.html

Post Production : MIKROS IMAGE文章源自狐狸影视城-https://fox-studio.net/855.html

Designer : Barthelemy Maunoury文章源自狐狸影视城-https://fox-studio.net/855.html

Animation Supervisor : Yves Bigerel文章源自狐狸影视城-https://fox-studio.net/855.html

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预防艾滋广告~文章源自狐狸影视城-https://fox-studio.net/855.html

哈哈，好有爱！文章源自狐狸影视城-https://fox-studio.net/855.html

优酷在线：文章源自狐狸影视城-https://fox-studio.net/855.html

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NO.2 CCTV Ink

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原片地址：http://vimeo.com/6794856文章源自狐狸影视城-https://fox-studio.net/855.html

原片介绍：Title: Ink文章源自狐狸影视城-https://fox-studio.net/855.html

Length: 60 Sec文章源自狐狸影视城-https://fox-studio.net/855.html

Client: CCTV - Central China Television文章源自狐狸影视城-https://fox-studio.net/855.html

Agency: MMIA文章源自狐狸影视城-https://fox-studio.net/855.html

Creative Director: Zhou Jiahong文章源自狐狸影视城-https://fox-studio.net/855.html

Art Director: Wu Hao文章源自狐狸影视城-https://fox-studio.net/855.html

Copywriters: Zhou Jiahong, Sophia Xu文章源自狐狸影视城-https://fox-studio.net/855.html

Storyboard: Wu Hao, Liang Yuanchun文章源自狐狸影视城-https://fox-studio.net/855.html

Production Company: Troublemakers.tv & weareflink文章源自狐狸影视城-https://fox-studio.net/855.html

Director: Niko Tziopanos文章源自狐狸影视城-https://fox-studio.net/855.html

Producer - Troublemakers.tv: James Hagger文章源自狐狸影视城-https://fox-studio.net/855.html

Producer - weareflink: Andreas Lampe文章源自狐狸影视城-https://fox-studio.net/855.html

CG & Compositing Artist: Alexander Heyer文章源自狐狸影视城-https://fox-studio.net/855.html

Compositing Artist: Martin Hess文章源自狐狸影视城-https://fox-studio.net/855.html

CG Artist: Philipp Von Preuschen文章源自狐狸影视城-https://fox-studio.net/855.html

CG Artist: Timo Schaedel文章源自狐狸影视城-https://fox-studio.net/855.html

Ink & Footage: Thore Bornemann文章源自狐狸影视城-https://fox-studio.net/855.html

Ink & Making Of: Felix Martens文章源自狐狸影视城-https://fox-studio.net/855.html

Production Coordinator: Catharina Foelling文章源自狐狸影视城-https://fox-studio.net/855.html

Production Assistant: Aurelie Da Silva文章源自狐狸影视城-https://fox-studio.net/855.html

Music & Sound Design: Supreme Music, Florian Lakenmacher文章源自狐狸影视城-https://fox-studio.net/855.html

MoCap: MoCap Lab, Remi Brun, Frank Vayssettes, Thomas Oger文章源自狐狸影视城-https://fox-studio.net/855.html

Taiji Performer: Alexandre Thorlet文章源自狐狸影视城-https://fox-studio.net/855.html

Joker : Willi Wutz文章源自狐狸影视城-https://fox-studio.net/855.html

Tagline: Believe in the power of the brand文章源自狐狸影视城-https://fox-studio.net/855.html

CCTV水墨宣传片《相信品牌的力量》文章源自狐狸影视城-https://fox-studio.net/855.html

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Awards:文章源自狐狸影视城-https://fox-studio.net/855.html

* Red Dot Awards 2011 - Best of the Best文章源自狐狸影视城-https://fox-studio.net/855.html

* VDW Award 2010 - Best Animation文章源自狐狸影视城-https://fox-studio.net/855.html

* Spikes Asia 2010 - Gold for Best Use of Computer Graphics / Special Effects文章源自狐狸影视城-https://fox-studio.net/855.html

* Adfest 2010 - Silver for Best Visual Effects文章源自狐狸影视城-https://fox-studio.net/855.html

* New York Festivals - Television & Film Awards - Gold World Medal 2010文章源自狐狸影视城-https://fox-studio.net/855.html

* Chinese Element International Creative Award 2010 - Grand Medal文章源自狐狸影视城-https://fox-studio.net/855.html

* China International Advertising "Great Wall" Festival 2010 - Silver Trophy文章源自狐狸影视城-https://fox-studio.net/855.html

* Longxi Awards 2010 - Bronze for Best Post Production文章源自狐狸影视城-https://fox-studio.net/855.html

* Promax | BDA Asia Award 2009 - Gold for Best Animation文章源自狐狸影视城-https://fox-studio.net/855.html

* Promax | BDA Asia Award 2009 - Gold for Best Out of House Station Image Promo文章源自狐狸影视城-https://fox-studio.net/855.html

* China Advertising Festival - Gold for Best Advertising of 2009文章源自狐狸影视城-https://fox-studio.net/855.html

* China Advertising Festival - Gold for Best Public Advertising of 2009文章源自狐狸影视城-https://fox-studio.net/855.html

* Shooting Award - Gold for Best Advertising of 2009文章源自狐狸影视城-https://fox-studio.net/855.html

* Shooting Award - Silver for Best Sound Design文章源自狐狸影视城-https://fox-studio.net/855.html

文章源自狐狸影视城-https://fox-studio.net/855.html

facebook.com/Troublemakers.tv文章源自狐狸影视城-https://fox-studio.net/855.html

这个就不用介绍了吧~文章源自狐狸影视城-https://fox-studio.net/855.html

更多介绍看这里：http://blog.sina.com.cn/s/blog_5f6293e80100gr24.html文章源自狐狸影视城-https://fox-studio.net/855.html

优酷在线收看：文章源自狐狸影视城-https://fox-studio.net/855.html

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NO.3 Dead Island

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原片地址：http://vimeo.com/20091818文章源自狐狸影视城-https://fox-studio.net/855.html

英文介绍：Announcement trailer for the video game Dead Island. All production by Axis, directed by Stuart Aitken, produced by Andrew Pearce. CGI Leads Sergio Caires, Graham McKenna, Ewan Wright, Drew Robertson, Roland Walker.文章源自狐狸影视城-https://fox-studio.net/855.html

文章源自狐狸影视城-https://fox-studio.net/855.html

Dead Island is developed by Techland and Published by Deep Silver.文章源自狐狸影视城-https://fox-studio.net/855.html

Deep Silver Credits:文章源自狐狸影视城-https://fox-studio.net/855.html

Concept Anton Borkel & Malte Wagener, Creative Director Anton Borkel, Producer Malte Wagener, Q&A Philipp Foly (creative), Christian L?hlein (art) & Daniel Oberlerchner (technical), Brand Managers Vincent Kummer / Malte Wagener文章源自狐狸影视城-https://fox-studio.net/855.html

又一个“倒放”技术的应用，堪称完美！文章源自狐狸影视城-https://fox-studio.net/855.html

Techland开发，Deep Silver代理，预告片制作精良。文章源自狐狸影视城-https://fox-studio.net/855.html

土豆在线：文章源自狐狸影视城-https://fox-studio.net/855.html

http://www.tudou.com/programs/view/PNcl3IePGVM文章源自狐狸影视城-https://fox-studio.net/855.html

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NO.4 FUTURE PROOF

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原片地址：http://vimeo.com/31066005文章源自狐狸影视城-https://fox-studio.net/855.html

英文介绍：FUTURE PROOF - 2011 A/NZ PromaxBDA Opener文章源自狐狸影视城-https://fox-studio.net/855.html

The DMC Initiative (DMCI) developed this piece as a response to the 2011 A/NZ PromaxBDA Conference title of Future Proof.文章源自狐狸影视城-https://fox-studio.net/855.html

Our approach was to focus not on futuristic notions but to consider that which is timeless. People, the expression of self and the interactions between each other are timeless qualities relevant to creativity, no matter what the future holds.文章源自狐狸影视城-https://fox-studio.net/855.html

The concept started quite fluidly, by briefing a variety of dancers, with individual performance styles, to develop choreography based on the concepts of growth, sharing, sending and receiving.文章源自狐狸影视城-https://fox-studio.net/855.html

Directed by Nathan Drabsch, the performances were shot over one day using two RED Epic cameras, capturing the action at high speed. All design, editing and post production was done in-house by The DMCI team. We worked closely with composers and audio designers Mark Brandis & Jeff Black from ism studios, to create a unique score that perfectly compliments the performances.文章源自狐狸影视城-https://fox-studio.net/855.html

As a whole, the focus is on the dancers as they create and interact with abstract forms in a vast unknown world. Their own movements determine the creation and final destruction of these elements. Their own paths of communication and creative expression have come full circle, and all that remains is the individual.文章源自狐狸影视城-https://fox-studio.net/855.html

文章源自狐狸影视城-https://fox-studio.net/855.html

CREDITS文章源自狐狸影视城-https://fox-studio.net/855.html

Created by The DMC Initiative (DMCI)文章源自狐狸影视城-https://fox-studio.net/855.html

Contact: hello@thedmci.com.au文章源自狐狸影视城-https://fox-studio.net/855.html

Creative Director / Director: Nathan Drabsch文章源自狐狸影视城-https://fox-studio.net/855.html

Producer: Amy Nguyen文章源自狐狸影视城-https://fox-studio.net/855.html

Editing, Design, 3D & Compositing: The DMCI - Brecon Littleford, Bernard Tan, Nathan Drabsch文章源自狐狸影视城-https://fox-studio.net/855.html

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AUDIO文章源自狐狸影视城-https://fox-studio.net/855.html

Composition & Sound Design: Mark Brandis and Jeff Black @ ism studios文章源自狐狸影视城-https://fox-studio.net/855.html

Contact: info@ismstudios.com.au文章源自狐狸影视城-https://fox-studio.net/855.html

文章源自狐狸影视城-https://fox-studio.net/855.html

CREW文章源自狐狸影视城-https://fox-studio.net/855.html

Director: Nathan Drabsch文章源自狐狸影视城-https://fox-studio.net/855.html

DOP: Simon Chapman文章源自狐狸影视城-https://fox-studio.net/855.html

Camera Operators: Aaron Haberfield & Glen Cogan (Enigma)文章源自狐狸影视城-https://fox-studio.net/855.html

Producer: Amy Nguyen文章源自狐狸影视城-https://fox-studio.net/855.html

Talent Co-Ordinator/Production: Briony Luschwitz (Motion Picture Company)文章源自狐狸影视城-https://fox-studio.net/855.html

Gaffa/Lighting: Steve Scholfield文章源自狐狸影视城-https://fox-studio.net/855.html

Best Boy: Andrew Ward文章源自狐狸影视城-https://fox-studio.net/855.html

Hair Stylist: Elizabeth Vo文章源自狐狸影视城-https://fox-studio.net/855.html

Make Up Artist: Angela Vien-Debetaz文章源自狐狸影视城-https://fox-studio.net/855.html

Cameras supplied by Lemac and Enigma文章源自狐狸影视城-https://fox-studio.net/855.html

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DANCERS文章源自狐狸影视城-https://fox-studio.net/855.html

Sarah Seville文章源自狐狸影视城-https://fox-studio.net/855.html

Natasha Marconi文章源自狐狸影视城-https://fox-studio.net/855.html

William Sanchez文章源自狐狸影视城-https://fox-studio.net/855.html

Christopher Van Doren文章源自狐狸影视城-https://fox-studio.net/855.html

Amy Campbell文章源自狐狸影视城-https://fox-studio.net/855.html

Charles Bartley文章源自狐狸影视城-https://fox-studio.net/855.html

Thi Nguyen文章源自狐狸影视城-https://fox-studio.net/855.html

Contact:文章源自狐狸影视城-https://fox-studio.net/855.html

Belinda Mayne (Executive Producer)文章源自狐狸影视城-https://fox-studio.net/855.html

belinda@thedmci.com.au文章源自狐狸影视城-https://fox-studio.net/855.html

+61 2 9439 4111文章源自狐狸影视城-https://fox-studio.net/855.html

thedmci.com.au文章源自狐狸影视城-https://fox-studio.net/855.html

结合了舞蹈和3D特效的短片，意境惊人，更将原本就优美的人体造型美发挥到淋漓尽致文章源自狐狸影视城-https://fox-studio.net/855.html

土豆在线：文章源自狐狸影视城-https://fox-studio.net/855.html

http://www.tudou.com/programs/view/iY7exxbNGuU/文章源自狐狸影视城-https://fox-studio.net/855.html

文章源自狐狸影视城-https://fox-studio.net/855.html

NO.5 HDR Video Demonstration Using Two Canon 5D mark II's

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原片地址：http://vimeo.com/14821961文章源自狐狸影视城-https://fox-studio.net/855.html

英文介绍：Check out our iPhone app for pro photo editing: theprocessapp.com/?v文章源自狐狸影视城-https://fox-studio.net/855.html

This video highlights several clips we've made using our new High Dynamic Range (HDR) process. Video is captured on two Canon 5D mark II DSLRs, each capturing the exact same subject via a beam splitter. The cameras are configured so that they record different exposure values, e.g., one camera is overexposed, the other underexposed. After the footage has been recorded, we use a variety of HDR processing tools to combine the video from the two cameras, yielding the clips you see above.文章源自狐狸影视城-https://fox-studio.net/855.html

HDR Video provides filmmakers with many exciting new opportunities. Not only can HDR video create interesting effects, it can also allow for even exposure where artificial lighting is unavailable or impractical. For example, when a subject is backlit, one camera could be set to properly expose the subject, the other the sky, resulting in video with perfect exposure throughout.文章源自狐狸影视城-https://fox-studio.net/855.html

We will continue to develop and improve the HDR video process for better results and efficiency. For more information, check out our website文章源自狐狸影视城-https://fox-studio.net/855.html

sovietmontage.com文章源自狐狸影视城-https://fox-studio.net/855.html

twitter.com/sovietmontage文章源自狐狸影视城-https://fox-studio.net/855.html

facebook.com/sovietmontage文章源自狐狸影视城-https://fox-studio.net/855.html

Music文章源自狐狸影视城-https://fox-studio.net/855.html

Pyotr Ilyich Tchaikovsky文章源自狐狸影视城-https://fox-studio.net/855.html

Opus 40, Number 9文章源自狐狸影视城-https://fox-studio.net/855.html

Performed by Kevin MacLeod文章源自狐狸影视城-https://fox-studio.net/855.html

Licensed Under Creative Commons "Attribution 3.0"文章源自狐狸影视城-https://fox-studio.net/855.html

见过照片的HDR，使用不同的曝光值拍照。文章源自狐狸影视城-https://fox-studio.net/855.html

该片用两架5D2拍摄，一上一下，至于为什么这么放，而不是左右。那我就不清楚了。文章源自狐狸影视城-https://fox-studio.net/855.html

这也让我想起了3D电影，一左一右的位置，哈~文章源自狐狸影视城-https://fox-studio.net/855.html

土豆在线：文章源自狐狸影视城-https://fox-studio.net/855.html

http://www.tudou.com/programs/view/dXtHy269P3M/文章源自狐狸影视城-https://fox-studio.net/855.html

文章源自狐狸影视城-https://fox-studio.net/855.html

NO.6 instrumental video nine

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原片地址：http://vimeo.com/9800754文章源自狐狸影视城-https://fox-studio.net/855.html

英文介绍：Simple machines work together to make music. (fullscreen, please)文章源自狐狸影视城-https://fox-studio.net/855.html

文章源自狐狸影视城-https://fox-studio.net/855.html

Download the entire Cinema 4D project file: beeple-crap.com/resources.php文章源自狐狸影视城-https://fox-studio.net/855.html

more short films: beeple-crap.com文章源自狐狸影视城-https://fox-studio.net/855.html

become a fan: facebook.com/beeple文章源自狐狸影视城-https://fox-studio.net/855.html

free VJ source material: vimeo.com/channels/beeple文章源自狐狸影视城-https://fox-studio.net/855.html

C4D制作，看上面英文介绍，海油工程文件下载，已上传。文章源自狐狸影视城-https://fox-studio.net/855.html

优酷在线：文章源自狐狸影视城-https://fox-studio.net/855.html

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NO.7 OFFF Barcelona 2011 Main Titles

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原片地址：http://vimeo.com/24982650文章源自狐狸影视城-https://fox-studio.net/855.html

英文介绍：Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.文章源自狐狸影视城-https://fox-studio.net/855.html

Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!文章源自狐狸影视城-https://fox-studio.net/855.html

Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.文章源自狐狸影视城-https://fox-studio.net/855.html

Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”文章源自狐狸影视城-https://fox-studio.net/855.html

DIRECTORS NOTES (Mischa Rozema)文章源自狐狸影视城-https://fox-studio.net/855.html

This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.文章源自狐狸影视城-https://fox-studio.net/855.html

This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.文章源自狐狸影视城-https://fox-studio.net/855.html

So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.文章源自狐狸影视城-https://fox-studio.net/855.html

There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.文章源自狐狸影视城-https://fox-studio.net/855.html

Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.文章源自狐狸影视城-https://fox-studio.net/855.html

To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.文章源自狐狸影视城-https://fox-studio.net/855.html

We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the piece itself. Practically I still think it's nice that the viewer has to actively look for the names and not get too comfortable. Even if it means to see it a couple of times which surely is the best we can aim for as a free project ; )文章源自狐狸影视城-https://fox-studio.net/855.html

How about the shoot? Well, prior to Prague we created more than 50 ideas I could play with. This was always the intention. Go out shooting with a tiny crew, acting like we're still in art school and be open for anything that might happen. That's why we shot everything on 2 Canon 5D's (that and having no budget off course). This was a really nice change for me. Normally I prepare commercial shoots to the very last detail and there's a lot more people involved. Savage helped us out big time in Prague. We also had some bad news. Due to his back problems Si Scott had to abandon the project and couldn't join the shoot.文章源自狐狸影视城-https://fox-studio.net/855.html

When we came back from Prague I started editing straight away and soon came to the conclusion we had about 60 vfx shots to work on and no budget and increasingly less time. Remember that this project was a side dish for PostPanic, we had to work on commissioned jobs also. But everybody involved soon fell in love with the project, including STORM Postproduction who are our neighbors (luckily for us).文章源自狐狸影视城-https://fox-studio.net/855.html

In the mean time we received the title list. It had about 70 names on it! That's when I found out that the dynamics I wanted to use would probably not work. Just too many names that would make the piece too long to just show random images. So in the plane towards Prague I thought of bringing in a tiny bit of narrative. Which turned out to be the beginning of the sequence (1st act). I wrote in a lead character that would relate to the viewer.文章源自狐狸影视城-https://fox-studio.net/855.html

The idea was to trick the audience into thinking they're watching some kind of documentary. We basically follow a guy going home. Bit by bit his environment gets stranger and more uncomfortable to watch. Is he living in a war zone? Slowly the background takes over and the piece changes into an urban nightmare. And like a nightmare, the story/edit doesn't always make sense but makes you feel really uncomfortable. I also wanted the viewer to experience the nightmare. That's where the dark matter comes in. Dark matter is what I call the macro shot bits. Flashes that derail your train of thought like there's something eating away at your brain as you try to make sense of the nightmare. I wanted the viewer to go nuts, alongside with the cast. Erase the line between nightmare and reality. The end result is something you won't come across easily on your tv. And is also just another fun way to do titles.文章源自狐狸影视城-https://fox-studio.net/855.html

The sound design and music made by Hecq added a lot to the feel and scale of the film. It clearly divides the 3 acts (1st act: up to execution, 2nd from execution, 3rd final shot) and makes completely different ideas and scenes feel coherent. It also emphasizes the dynamics of the film and brings the much needed pace at the end. It's been great working with Ben. We've been surfing the same wave length throughout the project.文章源自狐狸影视城-https://fox-studio.net/855.html

Finally I want to thank everyone involved for making these titles possible. For creating something out of nothing. For showing so much love for something as dark as this.文章源自狐狸影视城-https://fox-studio.net/855.html

CREDITS
?
Directed by Mischa Rozema
Story by Mischa Rozema & Si Scott
Production Company: PostPanic
Executive Producers: Jules Tervoort, Ania Markham
DoP: Jiri Malek, Mischa Rozema
Music & Sound Design: Hecq
Senior Producer: Annejes van Liempd
Production Assistant: Jacinta Ramaker
Production Designer: Roland Mylanus
Editor: Mischa Rozema文章源自狐狸影视城-https://fox-studio.net/855.html

Prague Cast:
Main Hero: Vladan Bláha
Grafitti Guy: Tom Malar
Main Hero Sister: Katerina Galova文章源自狐狸影视城-https://fox-studio.net/855.html

Post-Production: PostPanic
CG Supervisor: Ivor Goldberg
VFX Supervisor: Chris Staves
3D Artists: Jeroen Aerts, Matthijs Joor, Jurri?n Boogert, Marnix Reckman, Adam Janeczek
2D Artist: Erwin van den IJssel
3D Interns: Cara To, Xander Clerckx
2D Interns: Mathijs Luijten, Per Westholm
Compositing: Chris Staves, Ivor Goldberg, Adam Janeczek, Matthijs Joor
Graphic Designs: Si Scott
Additional Graffiti Elements: Florian Stumpe
Matte Painting: Wieger Poutsma
Additional 3D and Compositing: Storm PostProduction文章源自狐狸影视城-https://fox-studio.net/855.html

Production (Prague) by Savage:
Executive Producer: Klara Kralickova, Pavla Burgetova Callegari
Producer: Michaela Berkova
Production Assistant: Vojta Ruzicka
Prop master: Jan Fiala
Location Scout & Management: Petr Bastar, Adam Fuchs
Location: CREVISTON, a.s.
Tattoos made by: Wowa tattoo prague文章源自狐狸影视城-https://fox-studio.net/855.html

似乎是说人类黑暗的思想什么的玩意。应该是说意向怎样恶劣吧
看不懂E文，翻译的我蛋疼文章源自狐狸影视城-https://fox-studio.net/855.html

优酷在线：文章源自狐狸影视城-https://fox-studio.net/855.html

文章源自狐狸影视城-https://fox-studio.net/855.html

NO.8 RED BALLOON

文章源自狐狸影视城-https://fox-studio.net/855.html

原片地址：http://vimeo.com/13405332文章源自狐狸影视城-https://fox-studio.net/855.html

英文介绍：After a year in festival, WORLD PREMIERE of thriller short film Directed by Damien Mace and Alexis Wajsbrot文章源自狐狸影视城-https://fox-studio.net/855.html

redballoonthemovie.com
imdb.com/title/tt1653053/
facebook.com/pages/RED-BALLOON/120354091329239?ref=ts
en.wikipedia.org/wiki/Red_Balloon_(2010_film)文章源自狐狸影视城-https://fox-studio.net/855.html

"Red Balloon" was shot with RedCam 4K, it includes challenging CG shots present in the trailer, with a team of 30 professionals including Jean Clement Soret for the grading (Danny Boyle's Colorist)文章源自狐狸影视城-https://fox-studio.net/855.html

PITCH :
Several times during the course of the night, Dorothy, the little girl Julie is looking after, behaves oddly, screaming from her bedroom. Each time, Julie puts her back to bed, comforting her by telling her it's just a nightmare... Or is it ?文章源自狐狸影视城-https://fox-studio.net/855.html

FESTIVALS SELECTIONS AND AWARD :文章源自狐狸影视城-https://fox-studio.net/855.html

FESTIVAL DE CANNES Short Film Corner
LONDON FILM4 FRIGHTFEST
SAINTE MAXIME international horror film festival
FANTASTIQUE SEMAINE DU CINEMA
DIRECTORIAL DISCOVERY AWARD at RHODES ISLAND horror film festival
INTERFILM BERLIN Short Film Festival
VIMEO FILM FESTIVAL narrative shortlist
Festival du Film Court de VILLEURBANNE
Festival Tous Courts d'AIX EN PROVENCE
Festival international de Clermont-Ferrand
DARK MILLS festival
BEST FILM AWARD at "Films in the city event"
SAN FRANCISCO Independent Film Festival
Festival International Du Film D'Aubagne
Festival International Du Film Fantastique de GERARDMER
Festival du court métrage à MONTLUCON (rencontre Cine en Herbe)
A Night of Horror International Film Festival SIDNEY, Australia
BRUSSELS Short Film Festival
Festival l'Europe en court-metrages
Filmets Badalona Film Festival
Festival Séquence court-métrage
Interplay Film Festival in Canada
International Izmir Short Film Festival
Spasm Film Festival
The 36th Cleveland International Film Festival
Palm Springs International ShortFest文章源自狐狸影视城-https://fox-studio.net/855.html

Contact :文章源自狐狸影视城-https://fox-studio.net/855.html

redballoon2009@gmail.com文章源自狐狸影视城-https://fox-studio.net/855.html

Alexis Wajsbrot
UK : 0044 75 25 63 45 16文章源自狐狸影视城-https://fox-studio.net/855.html

Damien Mace
UK : 0044 78 04 65 68 08文章源自狐狸影视城-https://fox-studio.net/855.html

一部蛮不错的惊悚片，看完后是否觉得不懂英语也能看懂。
哈。镜头非常棒，值得学习研究。文章源自狐狸影视城-https://fox-studio.net/855.html

土豆在线：文章源自狐狸影视城-https://fox-studio.net/855.html

http://www.tudou.com/programs/view/MJkN7AeIUAQ/文章源自狐狸影视城-https://fox-studio.net/855.html

文章源自狐狸影视城-https://fox-studio.net/855.html

NO.9 Sampled Room

文章源自狐狸影视城-https://fox-studio.net/855.html

原片地址：http://vimeo.com/18929809文章源自狐狸影视城-https://fox-studio.net/855.html

英文介绍：This is an example, how to use the basic stuff in your room in such creative and musician way. Just take some noisy and voiced objects and record them with any sampler. At the end use all this stuff to create any music u desire. Or... You even don't need any sampler. Just use your friends, give them gadgets and transform your party into gizmo-jam-session. I can guarantee much fun. Enjoy!文章源自狐狸影视城-https://fox-studio.net/855.html

Tools:文章源自狐狸影视城-https://fox-studio.net/855.html

Canon EOS 5D mkII
DitoGear? CrankSlider
Microphone Shure SM 48文章源自狐狸影视城-https://fox-studio.net/855.html

2 Wine Glases
Panties
Bottle Opener
Drier
Tape
Tube Pack From Whiskey
Spring
Old USRR Camera
Spanner
Water文章源自狐狸影视城-https://fox-studio.net/855.html

Shots, Edit & Music - Mateusz Zdziebko文章源自狐狸影视城-https://fox-studio.net/855.html

都是日常用品做的创意视频。文章源自狐狸影视城-https://fox-studio.net/855.html

优酷在线：http://v.youku.com/v_show/id_XMjQxMTg3NjIw.html文章源自狐狸影视城-https://fox-studio.net/855.html

文章源自狐狸影视城-https://fox-studio.net/855.html

NO.10 Steel Life - A short film by Mateusz Zdziebko & Patryk Kizny

文章源自狐狸影视城-https://fox-studio.net/855.html

原片地址：http://vimeo.com/25076575文章源自狐狸影视城-https://fox-studio.net/855.html

英文介绍：Steel.文章源自狐狸影视城-https://fox-studio.net/855.html

Calm, cold, solid, rigid and unchanged.文章源自狐狸影视城-https://fox-studio.net/855.html

文章源自狐狸影视城-https://fox-studio.net/855.html

Life.文章源自狐狸影视城-https://fox-studio.net/855.html

Fast, emotional, harmful and responsive.文章源自狐狸影视城-https://fox-studio.net/855.html

Have you ever wondered what would the world look like if all objects around got alive? Discover the world of steel and hardware, driven by music and inspired by humanity.文章源自狐狸影视城-https://fox-studio.net/855.html

Steel Life文章源自狐狸影视城-https://fox-studio.net/855.html

A short film by Mateusz Zdziebko & Patryk Kizny文章源自狐狸影视城-https://fox-studio.net/855.html

----------------------------文章源自狐狸影视城-https://fox-studio.net/855.html

Mateusz Zdziebko文章源自狐狸影视城-https://fox-studio.net/855.html

Concept, Music, Set Design, Animation, Cinematography & Edit文章源自狐狸影视城-https://fox-studio.net/855.html

Patryk Kizny文章源自狐狸影视城-https://fox-studio.net/855.html

Set Design, Cinematography, Color Grading文章源自狐狸影视城-https://fox-studio.net/855.html

Robert Paluch文章源自狐狸影视城-https://fox-studio.net/855.html

Animation assistant文章源自狐狸影视城-https://fox-studio.net/855.html

Aga Gonczarek文章源自狐狸影视城-https://fox-studio.net/855.html

Animation assistant文章源自狐狸影视城-https://fox-studio.net/855.html

Production: LookyCreative / lookycreative.com文章源自狐狸影视城-https://fox-studio.net/855.html

Stop-motion tracking sequences shot on DitoGear? OmniSlider. Learn more at ditogear.com文章源自狐狸影视城-https://fox-studio.net/855.html

Press, licensing or stop-motion / timelapse project inquiries (yes, we'd like to shoot a spot for you!) - please contact looky@lookycreative.com文章源自狐狸影视城-https://fox-studio.net/855.html

Enjoy also the "Making Of" / Teaser film:文章源自狐狸影视城-https://fox-studio.net/855.html

vimeo.com/channels/lookycreative#24820142文章源自狐狸影视城-https://fox-studio.net/855.html

Follow Mateusz Zdziebko:文章源自狐狸影视城-https://fox-studio.net/855.html

facebook.com/mateusz.zdziebko文章源自狐狸影视城-https://fox-studio.net/855.html

Follow Patryk Kizny文章源自狐狸影视城-https://fox-studio.net/855.html

facebook.com/pacocreative文章源自狐狸影视城-https://fox-studio.net/855.html

twitter.com/pacocreative文章源自狐狸影视城-https://fox-studio.net/855.html

vimeo.com/pacocreative文章源自狐狸影视城-https://fox-studio.net/855.html

Follow LookyCreative:文章源自狐狸影视城-https://fox-studio.net/855.html

lookycreative.com文章源自狐狸影视城-https://fox-studio.net/855.html

vimeo.com/channels/lookycreative文章源自狐狸影视城-https://fox-studio.net/855.html

twitter.com/lookycreative文章源自狐狸影视城-https://fox-studio.net/855.html