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The Gnomon Workshop – Figure Fundamentals Volume 2文章源自狐狸影视城-https://fox-studio.net/24322.html
1600*900 | MP4 | 8节课程 | 2小时47分 | 英文无字幕 | 无附件 | 1.93GB文章源自狐狸影视城-https://fox-studio.net/24322.html
【电脑翻译】信息：文章源自狐狸影视城-https://fox-studio.net/24322.html
阿尔诺的系列绘制的人物继续在两上画一个男性的模型讨论量。女性的解剖差异，指出。姿势动作和扭曲导致的讨论量在三个维度。凡演示，较长的姿势，该模型可以得出简单的卷，然后又从另一个角度，没有模型。这项练习开发的体积词汇和准确地绘制的能力，并在透视，不构成参考。这是生产和故事板艺术家的重要技能，在视角的剧本和导演确定。音调和光，然后讨论在最后的长期构成。该图绘制的训练营是一个宝贵的教训，所有有抱负的具象艺术家Van阿尔诺分享他的想法和技术收购完成的职业生涯作为一个产业和画廊的艺术家。文章源自狐狸影视城-https://fox-studio.net/24322.html
文章源自狐狸影视城-https://fox-studio.net/24322.html
http://www.tudou.com/programs/view/GUXUPxKM41k/文章源自狐狸影视城-https://fox-studio.net/24322.html
文章源自狐狸影视城-https://fox-studio.net/24322.html
【原文】Info:
Van Arno’s series on drawing the human figure continues in Volume Two with discussions on drawing a male model. The anatomical differences from the female are noted. Poses of action and contortion then lead to a discussion of volumes in three dimensions. Van demonstrates how, with longer poses, the model can be drawn with simple volumes and then redrawn from another angle, without the model present. This exercise develops volumetric vocabulary and the ability to draw accurately, and in perspective, without pose reference. This is a vital skill for production and storyboard artists, where the angle of view is determined by a script or a director. Tone and light then are discussed in a final long pose. This figure drawing bootcamp is a valuable lesson for all aspiring figurative artists as Van Arno shares his thoughts and techniques acquired over an accomplished career as an industry and gallery artist.文章源自狐狸影视城-https://fox-studio.net/24322.html 文章源自狐狸影视城-https://fox-studio.net/24322.html
